Focusrite Saffire Pro 24 Dsp perspective

How to Record an electric guitar without an Amplifier -Direct Recording

How to Record an electric guitar without an Amplifier -Direct Recording

Week 1 assignment

JonathanrMy name is Jonatan Rosales from Benalmdena, Spain. Im doing a course «The modern Musician Specialisation» at Coursera by Berklee college of music.
In this lesson I will be teaching How to Record an Electric Guitar o Bass without an amplifier, known as Direct Recording.

This is the gear I will be using for lesson is:

-Electric guitar (Gibson Les paul Studio)
-A 1/4 inch TS cable
-A Foucsrite Saffire Pro 24 dsp
-A firewire 400 to 800 cable
-A Macbook Pro computer
-A set of Sony MDR 7506 headphones
-Daw Logic Pro X
-Guitar Amp software plugin by Logic

I’m going to show you how to record a guitar or bass without an amplifier using an external audio interface with a instrument input connected to a macbook pro, Using Logic pro X as a DAW.

Guitar

The Guitar uses pickups to get the strings vibrations into voltage variation, the pickup of a guitar or bass is an input transducer.

Type of cable

To get the signal from the guitar to the Audio interface I will be using a 1/4 TS cable, the TS cable has two segments, a tip and a sleeve. We call this a»single conductor cable» were the signal is sent along the single conductor, and the outer sleeve is there to prevent noise from getting into the cable. this type of cable is also known as «instrument cable».

A good thing to have in consideration is to use a short TS cable when recording because it can produce noise, the longer the TS cable is, the more probability you will end having some issues with noise. If you are in a situation were the recording from is far from the Audio interface, is better to use a short TS cable connected to a DI box and then connectt in the output of the DI box an XLR cable to reach the audio interface, that will prevent noise.

Interface

I have to say that my audio interface has a designed specific two instrument inputs that lets me plug in directly into the audio interface.

 

Before connecting the cable to the Audio interface make sure you put down to 0 all the all the volumen controls and gain, to prevent any clips that could damage your speakers. Once is connected then you can set the levels.

Connecting the cable to the Audio interface and Set volumen and gain control to 0

The reason why I bought this audio interface is because is mobile, compact, versatile, with a very low latency. It also has a great tool that is call VRM “virtual reference monitor”. What it does is to emulate different environments (studio, home studio, living room) and is able to emulate the most iconic studio monitor or home HIFI on your headphones.
If possible is always better to monitor the instrument outside the computer to prevent delay / latency.

Firewire 400 / 800

In the Audio Interface is where all the magic is happening, the analog signal is converted (AD conversion) into digital (sampling) then the signal flow goes through the Firewire 400/800 cable as a binary stream from the Audio interface and enters in my DAW: Logic pro X.

 

The Daw

Logic Pro X

To choose a virtual guitar amp (by Logic Pro X) In the Audio track I go to Audio FX and choose:
Amp and Pedals > Amp Designer

Latency / delay

To choose the right Hardware and improve latency I go to In the top bar Logic Pro X main menu click on:
Logic pro X> Preferences > Audio > Output Device: choose Saffire, and the same for Input Device.
Logic pro X > Preferences > Audio > and Lower the I/O Buffer Size.

As a result you will se that the resulting latency has gone down.

Low Latency Mode

This is useful when recording audio tracks, especially if you have many affects and plugins on each channel. In this case there is a good tool call “low latency mode” click on it and it will turn into orange color.
This function stops or bypasses all the plugins and it helps to improve the DAW performance of the CPU and Ram Memory available.

Now I’m ready to record, I check that the levels on the Audio interface are correct. When I play the track back from Logic pro X the audio goes from the audio track to the main output of Logic Pro X.

Now the sound exits the computer through the 400/800 firewire cable and goes to the Saffire interface where I can monitor the sound in my Headphones.

Logic Pro X Keyboard Shortcuts PDF

Logic Pro X Keyboard Shortcuts PDF

Hi there! as many of you Logic Pro X users, you always look for ways to improve your work flow, and sometimes is easy to get used to work in a certain way, that really probably is not the best, or is not agile.

At the moment I’m doing a course to improve my knowledge of Music Production, and really its challenging me to adjust myself to the new tools and and implementing them into my workflow. One of the best ways to do that is the «keyboard shortcuts» with just one click you can open or close a command, change tool, zoom in or out, really helpful.

I was looking around in the Logic Pro help / Menu but I couldn’t find a list of all available keyboard shortcuts, but searching in google I have found a very useful PDF created by Brian from oneword.com document that contains all of them, or most of them:

Download Logic Pro X Keyboard Shortcuts

Source: oneword.com

 

Escucha el album Ep Libre en Youtube

Escuchalo en Youtube

Después  de un tiempo, y puesto que algunas personas no tenían cuenta en Spotify o iTunes, he publicado el album en Youtube, espero que lo disfrutes.

 

DDLY Dynamic Delay by Izotope for free!

DDLY Dynamic Delay

FREE THROUGH MARCH 10

Don’t delay, delay today

DDLY Dynamic Delay responds to your track’s musical dynamics to create versatile and intriguing delays. It’s a one-of-a-kind effects plug-in that delays the signal differently depending on the character of the sound, without turning your track to aural mud. Adjust the threshold to split your signal based on transients, then send it down two separate analog or granular delay paths.

Get a cleaner, more complex sound than a traditional full-signal delay plug-in with DDLY!

Get DDLY Dynamic Delay from February 9, 2016 through March 10, 2016 and you will receive a full license of DDLY Dynamic Delay for free. After March 10, 2016, DDLY Dynamic Delay will be available at the regular price of $49 USD. Limit one per customer. Not transferrable.

Key Features

  • Two delays in one: DDLY analyzes your audio based on an adjustable threshold to determine what to send to the top delay and what to send to the bottom delay. Adjust the Intensity to affect how strongly the signal is split between the two—great for a punchy delay on the harder, transient crack of your drums and a shuffling delay on the main beat elements.
  • Customize your delay: Both delays have two modes to choose from: Analog or Grain. Analog produces warm lo-fi delays with smearing and nostalgic degradation. Grain produces melodic, symphonic, and futuristic sounds for truly new soundscapes.
  • Responsive interface: The interface of DDLY reacts to the material it’s applied to for unique real-time visual feedback. As the knobs come to life, your sound gets cooler. Go ahead, get ‘em all going!
  • Automatable: DDLY can be set up with automation in your audio host, to engage the dynamic delay on your mix when you want it to and back off when you need the raw material to shine.

Get going with DDLY!

The best thing to do with DDLY is put on everything. Seriously — it’s going to sound awesomer and awesomer the more you let it rip. But, even though you can play with it like crazy, it’s not only a toy. DDLY has some serious and powerfully practical uses, too.

DDLY on drums

On a drum track, try setting DDLY to only add echo to the harder attacks of the kick and snare. You’ll get that cool, echo effect without adding delay to the extra buzz from the snares or the room noise or a sloppy high hat that would make the mix sound muddy or crowded. Or dial in different delay patterns for the transients and the more constant energy of the performance, to keep the foundation in place and let the accents and flourishes bloom and soar.

⤑ Learn how to dial up DDLY for drums.

DDLY on vocals

DDLY works great on vocals, too! Emphasize the full range of the vocal take with a subtle delay on the verse and a more intense delay on the bigger moments in the chorus. Instead of laborious studio setup with multiple mics and complex routing, DDLY lets you dial in unique performance-based delay effects quickly. No more canned, inflexible delay!

DDLY on INSANITY!

DDLY is not for the timid. The echoing wail of DDLY can ring and rattle and twist your insides. Yes, it can be extreme. Yes, it can go too far. But sometimes, too far is exactly how far you need to go. Push DDLY to the limits and see what you get. Make insane sounds, get complex delays, discover new horrors, and just try to get out alive.

DDLY on whatever you imagine

Any source with a strong dynamic range and expressiveness is a great candidate for DDLY, to build upon the dynamics rather than compress them. Try it on guitars to add delay and echo to only the loudest parts of a performance and not touch the more intimate moments. Try it on piano or synth tracks. Automate the delay over the course of your whole mix, to get intense on some sections and dial it back in others. Run wild! Be free![/vc_column_text][/accordion][accordion title=»DDLY Dynamic Delay Technical Specs»][vc_column_text]Latest version: DDLY Dynamic Delay 1.00 released February 9, 2016. 

DDLY Dynamic Delay runs as a plug-in within your audio editing software. DDLY is not a standalone application. In DDLY, you are not able to save settings as presets within the plug-in.

(Download the DDLY Recall Sheet to keep track of your favorite settings!)

Operating system requirements

  • Windows: 7, 8, and 10
  • Mac: OS X 10.8–10.11

Plug-in formats

VST 2 (32-bit and 64-bit), VST 3 (32-bit and 64-bit), Audio Unit (32-bit and 64-bit), AAX (64-bit), RTAS (32-bit), Audiosuite DPM and AAX.

All listed plug-in formats include support for automation except for Audiosuite DPM and Audiosuite AAX.

Plug-in host compatibility

Logic Pro X.2, Ableton Live 9.5, Pro Tools 12.4, Pro Tools 11.3.1, Cubase Pro 8.5, REAPER 5.11, FL Studio 12.2, Studio One 3.1.1, Pro Tools 10.3.1

Supported sample rates

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

More information and download from the Izotope website

Sie Q

Sie Q by Soundtouys free plugin

[fancy_heading size=»big» style=»style1″]Sie Q by Soundtoys Free Plugin[/fancy_heading]

A Very Boutique EQ.

FREE through October 13th (reg. $129) Hurry up!!

Sie Q

Achieve spacious highs, smooth lows, and great tones fast. This model of German engineering brings a whole new color to your EQ palette.

It requieres registration and Ilok account (you can create a free account)

[fancy_heading size=»medium» style=»style1″]Classic Color[/fancy_heading]
sie-q-product-page-prasenz-650x433-650x433

In our quest to capture unique tones and colors from the world of hardware, we dug deep into the Soundtoys gear museum and found  a little known gem: the Siemens W295b. It impressed us so much that it became the the inspiration for our first EQ. Sie-Q faithfully captures the hardware’s smooth curves, airy highs and ease of use, allowing you to get the tone you want fast, without a lot of hassle.

Of course, in classic Soundtoys tradition, we’ve also carefully modeled its saturation character so you can hit it hard and get the real analog  vibe of the hardware. The magic of this classic piece is now in your hands, and in your mix.

[fancy_heading size=»medium» style=»style1″]Great Highs[/fancy_heading]
The stand out feature of Sie-Q, like the original, is its amazing high end. It adds space and air, and feels perfect on any track, no matter how much you boost.  Turn up the High knob to breathe life into vocals, or pull it back on bright acoustic guitars and cymbals to create a silky sheen. Sie-Q is also a fantastic addition to your master bus–just a touch of the High band can add life and openness. , Is your mix sounding a little too digital? Combining Sie-Q and Decapitator in the Soundtoys Effect Rack is the perfect remedy.

[fancy_heading size=»medium» style=»style1″]EQ with IQ[/fancy_heading]
sie-q-product-page-circuits-600x524

Like the original, Sie-Q is an EQ that’s hard to make sound bad. One of the things we love so much about the W295b is that even though it’s over half a century old, the design is as intelligent today as it was back in the 60s. When you use it, it just feels like all the hard work has been done for you.

Designed for broadcast, its frequencies and curves were carefully chosen to keep things sounding good no matter what. And this clever design translates perfectly to tracking and mixing records, too. From full mixes, to sub mixes, to vocals and guitars, to drums and percussion this EQ helps you find the sweetness with no hassle.

[fancy_heading size=»medium» style=»style1″]Facts[/fancy_heading]
Get airy top end with the super-smooth High band

Accentuate or tame mid-range details with the switched Mid band

Carve out some space or add rich bass with the Low band

Push the Drive control to recreate the color of the original EQ

[fancy_heading size=»medium» style=»style1″]Specs[/fancy_heading]
Current version: 5.1.0

Plug-in formats (both 32 and 64-bit):

  • AAX Native, AAX AudioSuite, VST, and Audio Units (AU)

Supported sample rates:

  • Minimum: 44.1 kHz, Maximum: 192 kHz

System requirements:

  • Operating system: Mac OS X 10.8 or later, Windows 7 or later
  • An internet connection is required at the time of activation.

Supported host applications:

  • Pro Tools (10.3.5 or later), Live, Cubase, Nuendo, Sonar, Logic, Digital Performer
  • Click here to view our full list of compatible host applications.

[fancy_heading size=»medium» style=»style1″]Download from Soundtoys website[/fancy_heading]

Link to website

It requieres registration and Ilok account (you can create a free account)