Berzerk Distortion by Waves – Freebie

The go-to plugin for wild, deranged, creative distortion: Berzerk Distortion 10 all-original distortion shapes, advanced feedback, pitch, dynamics, sidechaining and M/S options for versatile experimentation—plus the ‘Go Berzerk!’ button for randomized, unpredictable distortion madness.

Download your FREE plugin from Tuesday February 25, 2020 until Tuesday March 10, 2020. (WAVES ACCOUNT REQUIRED)

The go-to plugin for wild, deranged, creative distortion: 10 all-original distortion shapes, advanced feedback, pitch, dynamics, sidechaining and M/S options for versatile experimentation—plus the ‘Go Berzerk!’ button for randomized, unpredictable distortion madness.

When you’re producing a new beat, playing around with a synth line, or putting together song ideas on the fly, you often need that kick of inspiration, that sound which redefines the project and takes the music forward. We developed Berzerk to help you do that.

Our engineers began by collecting a large array of well-loved distortion units of all types: amps, tube devices, stomp boxes and old analog units. They then developed original custom wave shapes based on their all-time favorite distortion curves.

Berzerk includes 10 unique shapes, each with its own personality. Some transform the sound to add grit, dirt, character; others will blow your head off.

The ‘Go Berzerk!’ button creates random variations in each waveshape, letting you personalize the signal. Turn the Density knob to shift the waveshape in amplitude; but watch out—it might get loud!

The unique Feedback section is like an on-board analog synth. It can either run a tunable sine wave through the signal, producing interesting bass lines, melodies or rhythms; or it can oscillate while “riding” the input—think crazy synthesized vocal FX. It also includes a Speed knob to shape the groove, as well as octave, pitch, range and blend adjustments—all of which you can sidechain.

The Dynamics section sits before the distortion and twists the character of the generated harmonics. The “Up/Down” knob controls a gate/expander which, after setting the threshold, will affect the range of sound affected by the clipper. The “Rider” option rides the amount of gain hitting the distortion, giving you full dynamic control.

Berzerk also offers unique M/S processing, distorting just the mids or just the sides when needed; a master Temperature knob to control the overall color and feel of the output; and an overall mix knob.

When you want to conjure sounds you’ve never dreamed of—for your synths, drums, vocals, bass or guitars—it’s time to go Berzerk.

MORE INFO AND DOWNLOAD HERE

Smasher by Pulsar – Free British mode compression

Smasher By Pulsar – Freebie alert

Straightforward but extreme “British mode” compression – a faithful emulation of a uniquely modified 1176. Free until 11th March (ilok account required)

All buttons in, all the time

Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.

Why it’s unique Smasher By Pulsar

Urei 1176Based on an internal feedback configuration, FET compressor designs like the Urei 1176 are known for their super-quick attack times and a colorful tonal response that ranges from soft limiting to heavy saturation. When running in all-buttons-in mode, several things happen to the 1176’s circuit, including changes to the bias voltages. In Smasher, all these phenomena have been perfectly reproduced for the first time using our proprietary Topology Preservation Technology, bringing the full sonic capability of this classic effect to your DAW. With our unique Smasher By Pulsar tuning and its beautiful, uncomplicated interface, Smasher gives this mythical circuit a new personality.

How does it sound ?

Smasher can add thickness and grit to any drum or bass track, or completely crush a bus, producing an aggressive sound that’s impossible to achieve with other plugins.

On a drum buss

Smasher embues drum mixes with the typical sound of the 1176’s all-buttons-in mode. You get that signature delayed transient squashing and an explosive sound which instantly propels your drums to the front of the mix.

On a snare drum

Add body and sustain to bring out a snare’s tone. Try thickening your snare drum by reaching between -6 and -10dB of gain reduction, then mix a few percent of the resulting huge snare drum sound back into your original dry sound.

On a bass

Since bass often requires a combination of compression and saturation, Smasher is the ideal tool to get it dirty, letting you control precisely how much grit to add. Use the Mix knob to add just a small amount of fuzzy saturation.

On lead vocals

Please don’t try this at home.

 

 

SYSTEM REQUIREMENTS

WINDOWS

CPU Intel Core i3 / i5 / i7 / i9 / Xeon or AMD Quad-Core minimum Memory 4 GB RAM 1 GB free disk space​ Operating System Windows 7 with SP1 64 bit Windows 8.1 64 bit Windows 10 64 bit​ GPU OpengGL 2.0 compatible GPU​ Monitor Resolution: minimum 1024×768, recommended 1920×1080 Refresh rate: 60 Hz

MAC OS

CPU Intel Core i3 / i5 / i7 / Xeon Memory 4 GB RAM 1 GB free disk space​ Operating System 10.10 – 10.15 GPU OpengGL 2.0 compatible GPU​ Monitor Resolution: minimum 1024×768, recommended 1920×1080 Refresh rate: 60 Hz

 

DOWNLOAD AND MORE INFORMATION

Sie Q by Soundtouys free plugin

Sie Q by Soundtoys Free Plugin

A Very Boutique EQ.

FREE through October 13th (reg. $129) Hurry up!!

 

Achieve spacious highs, smooth lows, and great tones fast. This model of German engineering brings a whole new color to your EQ palette.

It requieres registration and Ilok account (you can create a free account)

Classic Color
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In our quest to capture unique tones and colors from the world of hardware, we dug deep into the Soundtoys gear museum and found  a little known gem: the Siemens W295b. It impressed us so much that it became the the inspiration for our first EQ. Sie-Q faithfully captures the hardware’s smooth curves, airy highs and ease of use, allowing you to get the tone you want fast, without a lot of hassle.

Of course, in classic Soundtoys tradition, we’ve also carefully modeled its saturation character so you can hit it hard and get the real analog  vibe of the hardware. The magic of this classic piece is now in your hands, and in your mix.

Great Highs

The stand out feature of Sie-Q, like the original, is its amazing high end. It adds space and air, and feels perfect on any track, no matter how much you boost.  Turn up the High knob to breathe life into vocals, or pull it back on bright acoustic guitars and cymbals to create a silky sheen. Sie-Q is also a fantastic addition to your master bus–just a touch of the High band can add life and openness. , Is your mix sounding a little too digital? Combining Sie-Q and Decapitator in the Soundtoys Effect Rack is the perfect remedy.

EQ with IQ
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Like the original, Sie-Q is an EQ that’s hard to make sound bad. One of the things we love so much about the W295b is that even though it’s over half a century old, the design is as intelligent today as it was back in the 60s. When you use it, it just feels like all the hard work has been done for you.

Designed for broadcast, its frequencies and curves were carefully chosen to keep things sounding good no matter what. And this clever design translates perfectly to tracking and mixing records, too. From full mixes, to sub mixes, to vocals and guitars, to drums and percussion this EQ helps you find the sweetness with no hassle.

Facts

Get airy top end with the super-smooth High band
Accentuate or tame mid-range details with the switched Mid band

Carve out some space or add rich bass with the Low band

Push the Drive control to recreate the color of the original EQ

[fancy_heading size=”medium” style=”style1″]Specs[/fancy_heading]
Current version: 5.1.0

Plug-in formats (both 32 and 64-bit):

  • AAX Native, AAX AudioSuite, VST, and Audio Units (AU)

Supported sample rates:

  • Minimum: 44.1 kHz, Maximum: 192 kHz

System requirements:

  • Operating system: Mac OS X 10.8 or later, Windows 7 or later
  • An internet connection is required at the time of activation.

Supported host applications:

  • Pro Tools (10.3.5 or later), Live, Cubase, Nuendo, Sonar, Logic, Digital Performer
  • Click here to view our full list of compatible host applications.

Download from Soundtoys website

Link to website

It requieres registration and Ilok account (you can create a free account)

DDLY Dynamic Delay by Izotope for free!

DDLY Dynamic Delay

FREE THROUGH MARCH 10

Don’t delay, delay today

DDLY Dynamic Delay responds to your track’s musical dynamics to create versatile and intriguing delays. It’s a one-of-a-kind effects plug-in that delays the signal differently depending on the character of the sound, without turning your track to aural mud. Adjust the threshold to split your signal based on transients, then send it down two separate analog or granular delay paths.

Get a cleaner, more complex sound than a traditional full-signal delay plug-in with DDLY!

Get DDLY Dynamic Delay from February 9, 2016 through March 10, 2016 and you will receive a full license of DDLY Dynamic Delay for free. After March 10, 2016, DDLY Dynamic Delay will be available at the regular price of $49 USD. Limit one per customer. Not transferrable.

Key Features

  • Two delays in one: DDLY analyzes your audio based on an adjustable threshold to determine what to send to the top delay and what to send to the bottom delay. Adjust the Intensity to affect how strongly the signal is split between the two—great for a punchy delay on the harder, transient crack of your drums and a shuffling delay on the main beat elements.
  • Customize your delay: Both delays have two modes to choose from: Analog or Grain. Analog produces warm lo-fi delays with smearing and nostalgic degradation. Grain produces melodic, symphonic, and futuristic sounds for truly new soundscapes.
  • Responsive interface: The interface of DDLY reacts to the material it’s applied to for unique real-time visual feedback. As the knobs come to life, your sound gets cooler. Go ahead, get ‘em all going!
  • Automatable: DDLY can be set up with automation in your audio host, to engage the dynamic delay on your mix when you want it to and back off when you need the raw material to shine.

Get going with DDLY!

The best thing to do with DDLY is put on everything. Seriously — it’s going to sound awesomer and awesomer the more you let it rip. But, even though you can play with it like crazy, it’s not only a toy. DDLY has some serious and powerfully practical uses, too.

DDLY on drums

On a drum track, try setting DDLY to only add echo to the harder attacks of the kick and snare. You’ll get that cool, echo effect without adding delay to the extra buzz from the snares or the room noise or a sloppy high hat that would make the mix sound muddy or crowded. Or dial in different delay patterns for the transients and the more constant energy of the performance, to keep the foundation in place and let the accents and flourishes bloom and soar.

⤑ Learn how to dial up DDLY for drums.

DDLY on vocals

DDLY works great on vocals, too! Emphasize the full range of the vocal take with a subtle delay on the verse and a more intense delay on the bigger moments in the chorus. Instead of laborious studio setup with multiple mics and complex routing, DDLY lets you dial in unique performance-based delay effects quickly. No more canned, inflexible delay!

DDLY on INSANITY!

DDLY is not for the timid. The echoing wail of DDLY can ring and rattle and twist your insides. Yes, it can be extreme. Yes, it can go too far. But sometimes, too far is exactly how far you need to go. Push DDLY to the limits and see what you get. Make insane sounds, get complex delays, discover new horrors, and just try to get out alive.

DDLY on whatever you imagine

Any source with a strong dynamic range and expressiveness is a great candidate for DDLY, to build upon the dynamics rather than compress them. Try it on guitars to add delay and echo to only the loudest parts of a performance and not touch the more intimate moments. Try it on piano or synth tracks. Automate the delay over the course of your whole mix, to get intense on some sections and dial it back in others. Run wild! Be free![/vc_column_text][/accordion][accordion title=”DDLY Dynamic Delay Technical Specs”][vc_column_text]Latest version: DDLY Dynamic Delay 1.00 released February 9, 2016. 

DDLY Dynamic Delay runs as a plug-in within your audio editing software. DDLY is not a standalone application. In DDLY, you are not able to save settings as presets within the plug-in.

(Download the DDLY Recall Sheet to keep track of your favorite settings!)

Operating system requirements

  • Windows: 7, 8, and 10
  • Mac: OS X 10.8–10.11

Plug-in formats

VST 2 (32-bit and 64-bit), VST 3 (32-bit and 64-bit), Audio Unit (32-bit and 64-bit), AAX (64-bit), RTAS (32-bit), Audiosuite DPM and AAX.

All listed plug-in formats include support for automation except for Audiosuite DPM and Audiosuite AAX.

Plug-in host compatibility

Logic Pro X.2, Ableton Live 9.5, Pro Tools 12.4, Pro Tools 11.3.1, Cubase Pro 8.5, REAPER 5.11, FL Studio 12.2, Studio One 3.1.1, Pro Tools 10.3.1

Supported sample rates

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

More information and download from the Izotope website

TDR Kotelnikov Freeware Plugin

TDR Kotelnikov Freeware Plugin

Hi there! I hope you had a great black Friday – Cyber Monday time :). Just got an email the other day from Tokyo Dawn Labs (I’m subscribed to their mailing list, if you are not you should!).

Tokyo Dawn Records (TDR) is the name of a tough little music unit meanwhile based in Munich, Germany. Established 1997 by Marc Wallowy and friends, TDR has been spreading soul futurism on the internet since its beginning. Now, they also develope GREAT plugins, and the best part of it is that some of them are Free or very affordable. For that reason I believe is worth mentioning and promote their work.
This is their last release TDR Kotelnikov, a great addition to any Home Studio or  Pro Studio, specially because they offer a great freeware version and a more improved /completed version called “Gentleman 40 €“. If you ever wonder how to get that “big ” “punchy” sound, well this tool will help you to improve and finalise the overall sound of your mix.

About TDR Kotelnikov
TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms.

With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.

The concept is “proudly digital” in the sense that it doesn’t try to emulate any previously existing device. This is the original!

Freeware Key specs and features
-64bit floating point precision for all relevant calculations
-Multi-rate processing structure for highest accuracy
-“Delta” oversampled signal path (bit transparent at 0dB gain reduction)
-Super fast, yet natural sounding compression
-“Crest factor” based control scheme offering independent release controls for peak and RMS events
-Flexible sidechain highpass filter<br> Advanced stereo linking options optimized for the stereo bus
-Delta preview mode to preview the difference between compressed and original signal
-Latency compensated parallel bypass (i.e. processing not interrupted).

Gentleman’s Key specs and features
-64bit floating point precision for all relevant calculations
-Multi-rate processing structure for highest accuracy
-“Delta” oversampled signal path (bit transparent at 0dB gain reduction)
-Super fast, yet natural sounding compression
-“Crest factor” based control scheme offering independent release controls for peak and RMS events
-Flexible sidechain highpass filter<br> Advanced stereo linking options optimized for the stereo bus
-Delta preview mode to preview the difference between compressed and original signal
-Latency compensated parallel bypass (i.e. processing not interrupted).

Extensive documentation The Gentleman’s Edition adds following features:
-Continuously variable control over “low relax” slope
-L<>R sensitivity
-Powerful frequency dependent ratio function (FDR)
-Yin/Yang modes (manipulates the compressor’s own distortion behaviour)
-Equal loudness output gain trimming
-Equal loudness bypass
-“Insane” quality mode
-10 additional user preset slots [/accordion] [/accordions]

-Download Freeware TDR Kotelnikov from Tokyo Dawn Labs Site

-Or BUY The more  Complete Gentleman’s Version from Tokyo Dawn Labs Site